My work portrays a dislocated and pensive view of space, environment and landscape. I use both traditional and digital methods of photography as well as sculptural methods to portray and capture a landscape in motion and in flux. The imagery and installation works narrate the anxieties of our interpretation of landscape and beauty by portraying a disintegrating landscape where familiarity and nostalgia interpret the concept of instability.
 

 

Some words about the series, the Chronology of Notable Histories of Magical Miniature Landscapes.......
 
I'm thinking about architecture, space, non-space in the aesthetical sense.  I'm thinking about photography but less.  I want to build.  I want to understand the need to construct, to stick our grubby little human hands into something, everything. "In the Gloaming" style (see installation work "Photograph in Three Dimensions, 2003) interpretations of my photographs of non-places in the anthropological sense; in a west meets east, wabi-sabi kind of way.  Non-defined places that are captures, light captures, space captures, small sights, opinions or less; layers of existence, movement and unrequited commitments; passing, moving, visions of nothingness.
 
The images and constructions are dream-states. The sublime is uncomplicated yet strangely uncomfortable; the land of magical mysterious places. Each millimeter has a history, a place in time, but when randomly combined with each other they begin a new history.  They blur, they build, layer and deconstruct. They are waves, undulations that represent life, desire and lust.  But lust for what?  It's like parachuting in - open, free to a floating environment intrinsically linked to its own history and ultimately our ghosts.